Performing arts

Performing arts: protocols for producing Indigenous Australian performing arts

28 February 2008

The Australia Council for the Arts fully revised second edition of its Performing arts protocol guide, designed to help Australians better understand the use of Indigenous cultural material.


Opera for Groups 2006

03 April 2006

This striking 8-page colour brochure promotes group bookings for NZ Opera productions and is an excellent example of how to communicate value and a clear call to action.


FULL HOUSE: turning data into audiences

01 January 2006

This manual provides advice for arts organisations in building closer relationships with their audiences, drawing on information gleaned at crucial points in the transaction process - from website to box office and ultimately to concert hall or gallery.


Principles of corporate governance and good practice recommendations for major performing arts sector

06 December 2004

The Major Performing Arts Board (MPAB), working with the state funding agencies and the Australian Major Performing Arts Group (AMPAG), has developed a set of good practice governance guidelines for the major performing arts sector.


Review and evaluation of the Australian Performing Arts Market 1994-2002: summary and response

01 January 2004

The Australia Council for the Arts' Australian Performing Arts Market (APAM) is the major showcase of Australian contemporary performing arts to international and national presenters and producers.


Report to ministers on an examination of the small to medium performing arts sector

01 March 2002

In 2002 the Cultural Ministers Council (CMC) released a report which examined the factors influencing the artistic and financial viability of Australia's small-to-medium sized arts organisations.


In repertoire: a guide to Australian contemporary performance

01 May 2001

A snapshot of innovative Australian performance of the early 21st century.


Selling the performing arts: identifying and expanding audiences for music, dance and theatre

01 January 1999

Identifies attendance patterns for music, theatre and dance and recommends strategies to expand existing audiences.


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